- Use Up/Down Arrow keys to increase or decrease volume. Take a major triad and add the second note of the chord. For example, in a C major chord, you’d add a D note somewhere in the voicing of the chord to make it a Cadd9. Gospel piano players like to tuck the add9 note between the root and third, to create a crunchier sound that sticks out.
What chords are used in gospel music?
Let’s begin by looking at the most common gospel chord progression: the 2-5-1 progression. This will come up often in gospel and jazz genres of music. In the key of C, you’d play Dm7-G7-C. In gospel music, the 2-5-1 works to beautifully transition you to a different chord in the progression you’re playing.
What is a Dm7 chord?
The Dm7 chord is comprised of the same three chords that make up the D minor chord (D, F, and A) with the addition of the seventh interval – the C note – to create its distinct sound. When playing the Dm7 chord, you’ll blend the following four notes: D, F, A and C.
What is diatonic chord?
The word ‘diatonic’ simply means ‘within a key’, so a diatonic chord progression is a set of chords made up of notes from within a key signature. Listen up: scales aren’t just torture devices invented by guitar teachers When you use a scale, say, C major, you are playing ‘in the key of C’.
What is gospel scale?
When it comes to gospel piano scales, the whole tone scale is a great tool to have in your arsenal and pretty simple to understand. It’s basically all whole steps. Half steps are from key to key with no keys in between. Whole steps always skip a key with one key in between. C Whole Tone: C – D – E – F# – G# – A#